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First One to Leave the Party

by Eilish Gilligan

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storygirloz
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storygirloz Classic Gil pop sensibilities in the arrangement, plus less sad girl vibes. I'm here for happy Gil, especially when she's rocking third inversions in the bass-line. :) Favorite track: When You Forget Me.
simrah-oz
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simrah-oz This track is magnificent. It sends tingles along my spine! Favorite track: It's Not You, It's Not Me.
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Up All Night 02:41
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about

First One To Leave The Party bursts with the most wide-ranging arrangements of Gilligan’s career. As delicate synth melodies weave its way throughout the EP, Gilligan captures a specific moment in time. Each song unfurls another aspect of the final party that Gilligan attended before COVID-19 shut the world down - or at least, how Gilligan wished that final party had played out… Opening track, “Up All Night” is as dynamic as it is playful as Gilligan traces the snap decision to go out and party, to stay up all night, to replace lovers with friends, and to dance with a room full of strangers. “Get Well Soon” is the shared, sacred moment with friends in an Uber, and is followed by a sweet and melancholic ballad, “When You Forget Me”. Nostalgic laden “First One To Leave The Party” sees Gilligan find closure and self-worth, making the grand exit from the party after confessing everything she needed to say to an ex. Closing track, “It’s Not You, It’s Not Me” is the clarity, acceptance, and forgiveness as she emerges from the chrysalis.

credits

released August 5, 2021

Producer: Dave K Haddad
Initial production on 'It's Not You, It's Not Me': Gab Strum
All songs written by Eilish Gilligan, except 'Up All Night' and 'First One to Leave the Party (co-written with Alex Lahey and Gab Strum) and 'Get Well Soon' (co-written with Gab Strum and Lach Bostock)

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about

Eilish Gilligan Melbourne, Australia

Eilish Gilligan is a songwriter and feelings-feeler from Melbourne, Australia.

Harbouring an unwavering love for all things pop, Eilish creates deep, intricate and vulnerable music that will restore your faith in the genre.

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